Jan 22, 2013

JULIAN TALAMANTEZ-BROLASKI : PHONOSEMANTICS & THE REAL on the POEMS and POETICS blog



Read an amazing fragment from Julian Talamantez-Brolaski's forthcoming "Phonosemantics & The Real" and two poems from Advice for Lovers, on Jerome Rothenberg's blog:

From “Phonosemantics and the Real” 

Shakespeare was almost certainly homosexual, bisexual or heterosexual.  The sonnets provide no evidence on the matter.  - Stephen Booth, ed. Shakespeare's Sonnets. 

If you look closely enough at word, you'll find it contains its opposite.  George, porridge, Norwich, porch and goy ridge all rhyme with orange. Why this antithesis between decoration and use?  Is a tiger less efficient because of its stripes?  Plato's cloak was so magnificent that Diogenes leapt on it ...

Lucus a non lucendo – an absurd conclusion, explanation or non sequitur.  Literally 'grove from not giving light,' i.e. a dark grove (lucus) is so called because it does not shine (lucere)—an illustration of the etymological procedure (see Quintilian) of deriving a noun from another having a contrary sense (Webster). 

That art is thievery is a commonplace--lyre is homophonous w/ liar.  This only coincidentally says something about poets... MORE HERE!!!!!!

Jan 16, 2013

TRANSLATIONS of GILGAMESH & BEOWULF reviewed by ROBERT KELLY on NOMADICS




Two excellent reviews by the legendary Robert Kelly on Pierre Joris' brilliant website Nomadics

TENSIONS

Robert Kelly 

A note on two newly published translations I’m anxious to let the world know about:

Stuart Kendall, Gilgamesh. New York, Contra Mundum, 2012
Thomas Meyer, Beowulf, a translation. Brooklyn, Punctum Books, 2012.

Where does the tension come from that runs the poem?
What’s missing in almost all translations of the old stuff (the classics, the canon, that fleet of inscrutable foreign vessels lined up, sailing in against our ignorance) is tension. Tension means stretching, pulling the fabric taut, making the hearer (reader) hold the breath.

Scholars are mostly not good at holding anybody’s breath. (I think of a few exceptions—Magoun’s Kalevala, Tedlock’s Popol Vuh, Arrowsmith’s Petronius) but they are indeed exceptions.

But here come two grand triumphs of poetry bringing old instances of itself to new life. Simply said, a good translation of a poem must be itself a good poem.

Stuart Kendall’s new translation of the Gilgamesh tablets, Thomas Meyer’s newly published but decades-old translation of the Beowulf manuscript—these are our ancestral narratives: one of the whole western world, one of our own Northern Paranoid Lifestyle culture, whose languages we still are.

All great epics are always about slaying the monster. And here Beowulf and Gilgamesh in a strange way seem almost... MORE HERE !!!!!!

Jan 11, 2013

INTO THE HEART OF EUROPEAN POETRY by JOHN TAYLOR

A book to treasure.

"An intelligent companion to much twentieth-century and contemporary
European poetry, and some prose.... [John Taylor] offers the non-specialist a series of
practical starting points from which to explore contemporary European poetry." --Times Literary Supplement

"(An) exploratory enthusiasm felt in almost every essay. To us Taylor (. . .) miraculously crosses time and space to suddenly appear in Milan, Ljubljana or Salonica, pulling out not only Bonnefoy, Kaplinsky, Brodsky, Celan, Zagajewski, Nemes Nagy, Sebald, Kassabova, Pavese or Montale, but also Erba, Kocbek, Papadimitrakopoulos, Kielar, the 'Dutch Fiftiers'. . ." --Elzbieta Wojcik-Leese, Poetry Wales, Autumn 2009

"An American, long resident in France, John Taylor is one of the critical wonders of the Western European world. Awesomely knowledgeable and invariably fair-minded, his book [Into the Heart of European Poetry] presents essay-length considerations of contemporary poets from Luis Cernuda and Yves Bonnefoy to Radmila Lazic and Marzanna Kielar." --Dennis O'Driscoll, "Tuesday Top Ten", The Book Depository

Available HERE !!!!!!

Dec 17, 2012

Nomadosphy - MARGENTO Launch @ Bucharest Slam

Friday December 21, 8 p.m., @ Club A, Old Town Bucharest; co-organized by Slam Poetry Bucharest and Casa de Editura Max Blecher :


Dec 9, 2012

NOMADOSOPHY & DRAMADOLL LAUNCH @ LA SCENA, Bucharest

Two poetry collections from Casa de Editura Max Blecher
Poster © Ana Toma

Nov 20, 2012

MARGENTO Book Launch - Nomadosophy / Nomadosofia de MARGENTO - @Casa de Editura Max Blecher



Lansarea volumului bilingv de versuri "Nomadosofia / Nomadosophy" - MARGENTO, la Casa de Editura Max Blecher. Prezinta Iulia Militaru si Felix Nicolau. Grafica: Ana Toma. Pictura coperta 1: Grigore Negrescu.

Poetry performance: Chris Tanasescu



25 noiembrie 2012, ora 14:30



Targul de carte Gaudeamus
Editura Herg Benet & Casa de Editura Max Blecher
standul 347B
nivelul 7.70 (ultimul nivel, lângă spațiul central de evenimente)

http://www.hergbenet.ro/programul-evenimentelor-editurilor-herg-benet-%C8%99i-max-blecher-la-gaudeamus-2012.html
------------
Book launch: bilingual poetry collection - Nomadosofia / Nomadosophy by MARGENTO, from Max Blecher Publishers. Speakers: Iulia Militaru & Felix Nicolau. Designed by Ana Toma. Front cover painting: Grigore Negrescu.

Poetry performance: Chris Tanasescu

November 25, 2012, 2:30 pm

Gaudeamus Bookfair
Herg Benet & Max Blecher Publishers
stand 347B
level 7.70 (top floor, next to the main event area)

http://www.hergbenet.ro/programul-evenimentelor-editurilor-herg-benet-%C8%99i-max-blecher-la-gaudeamus-2012.html
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