Our
special feature on English-language poetry considers language itself to
be a strange place—uncanny, full of striking familiarities, as
concerned with revival as it is with decay. Here we present new work
from poets around the world, including Cole Swensen, Ruth Padel and
Desmond Kon Zhicheng-Mingdé. The tension between these English-language
poets and the translated poets in our issue is wonderfully keen: as
Afzal Syed Ahmed writes, "In your language every line begins from an
opposite end." So where indeed does language begin? The question lingers
as one reads Lutz Seiler, Eduardo Milàn, Arseny Tarkovsky, and so on.
In the case of MARGENTO, language is music, and interrogated as such in
the extraordinary recording that accompanies the poem.READ MORE here.
Oct 15, 2012
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